Time to ponder and reflect is time well-spent

Triptych - 1 - ProvenceTriptych - 2&3- ProvenceFinding the time to write my blog has been tricky lately. Sometimes life just happens. Also, I’ve been rethinking the way I approach my art blog. I’m hoping to be able to share something that is more interesting than talking about the weather –although my painting is often influenced by the weather. I’d like to find a way to inspire you with some knowledge about art that I can impart, like a recent development or discovery in my approach or technique. Something that will contribute to your painting experience and mine.

 

One thing I’ve been doing lately is thinking about my approach to painting and the techniques I use to get to where I’m trying to go. Life has sort of been taking me on a ride lately, that doesn’t allow much time to actually put my brush to the canvas. But in my mind, I’m often working on the next step. This is normal. One thing I’ve learned about painting over the years is that half of the process of painting is the mental visualization you put into it before you actually pick up a brush. I’m in the middle of completing a triptych oil painting I started last year, and even though the canvases are covered with paint and the image is developed, I’m still visualizing what it will look like when I’m done with it. It’s a commissioned work, so I really want the completed painting to be right! As it stands now, I feel that the image is too literal. What I mean by that is not that it looks realistic and it’s also not impressionistic, which is my aim. There are some things I like about it, and some things I’m not yet pleased with. I don’t want it to look like a cartoon, and when I look it now, that’s what it reminds me of – like the sidewalk drawings in Mary Poppins. So, I’m planning the next steps to take to turn it around, because my intention is to create an impressionistic painting. To achieve this, I plan to soften the edges and add contrasting colors throughout the open spaces with an impasto layer. By adding oranges into the blues, purples into the greens, greens into the reds, etc. I will unify the overall color scheme, adding texture and dabs of light. Some of the areas of the painting are already taking shape in that way. I think because the overall size of the work is quite large, it has forced me to cover large areas with color, too much solid color, which seems to breaks up the continuity of the impressionistic style of brush work I want to achieve.

I’m glad I took this opportunity to express my thoughts about technique and plan the next steps I need to take with my current painting. Now, when I finally have the time to get going on it again, I can approach the work with clarity and make each brush stroke count!

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